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On the first concert of the tour, WarCry made the official presentation of Jardón's replacement, Roberto García who had left Avalanch due to personal and professional problems with Alberto Rionda, he mainly played the guitar, but in order to become a member he decided to handle bass duties. Īlea Jacta Est Tour was the tour to support the album, which started on Malasting more than 7 months and playing with bands like DarkSun, Abyss, Transfer among others. A month later, Víctor García and Manuel Ramil won the prizes as best vocals and keyboardist respectively, in the Radial Awards, celebrated in Spain. Just twelve days after its release the album reached # 3 in the Fnac's list of sales, competing with albums from all musical styles, it also had a great reception, with critics that have prized this work. The rest of the members said they respected his decision, and Alvaro's work on WarCry would always be a part of the band history. I hope we meet again in future projects". I would like to thank those who have supported me during these years and those who bought the discs in which I participated. The album was the last work by the band to include bassist Alvaro Jardón, who left after the last concert for El Sello De Los Tiempos tour at Sala Quattro in Avilés, leaving a communicate on the band's website "For personal and musical reasons, I have decided to leave WarCry.
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the first album to feature writing contributions from all the band members (excluding Ardines), turning all the music and lyrics more introspective. The phrase 'crossing the Rubicon' is now used to refer to committing irrevocably to a grave course of action, similar to the modern phrase 'passing the point of no return.
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Esteban Casasolas mixed it in Jaus Records where was also edited, and the graphic design ran by Ricardo Menéndez. According to Suetonius, Caesar uttered the famous phrase alea iacta est ('the die is cast') upon crossing the Rubicon, signifying that his action was irreversible. Alea Jacta Est was mastered in the M-20 Studios in Madrid by Francisco Martínez, produced by Víctor and Alberto, and co-produced by Slaven Kolak.